Lucy Galliard reflects back on our 40th Anniversary concert from 4th May

Earlier this month, under the beautiful and emotive Peace Doves installation, Sinfonia Viva celebrated our 40th Birthday at Derby Cathedral along with a near capacity audience. We wanted to make this concert a true celebration of our fantastic orchestra, showcase the talent of some of the people we work with in the community, and provide a nod to the heritage of our hometown of Derby.

As well as marking our 40th year, this was also a concert of firsts for the orchestra. We were delighted to be joined by Delyana Lazarova to conduct the performance, our first time working with her. Sing Viva our choir for carers performed with the full forces of Sinfonia Viva for the first time. And we gave the world premiere of Becoming One, a specially commissioned work co-created with Sing Viva by the inspirational composer Preetha Narayanan.

The amazing versatility of Sinfonia Viva’s musicians was also showcased, from an opening fanfare inspired by the Cathedral’s Bells to their joyful and compelling performance of Mozart’s Symphony No. 40. Our wonderful leader, Sophie Rosa, gave a beautiful rendition of Beethoven’s Romance No. 2, and at a post-concert event three of our musicians swopped classical for jazz, creating a wonderful atmosphere of celebration.

This was the first time the orchestra had been able to perform together in Derby Cathedral since 2019, pre-pandemic, making this event even more poignant as our return to live performance after all the challenges of the last two years.

Our 40th Birthday celebrations continue throughout the year, across our many educational and community programmes, but also in our orchestral concerts. So why not help us continue our celebrations by joining us at Darley Park on the 28th August (tickets available here), or consider becoming a friend of Sinfonia Viva (more details here) to help us continue to bring the joy and wonder of live music to thousands of people each year for the next 40 years!

Lucy Galliard, May 2022


Sinfonia Viva, Derby Cathedral, 4.5.22 - Review by Mike Wheeler

 

A fortieth symphony for a fortieth birthday party makes for a neat bit of programming. The symphony was Mozart's, the birthday was Sinfonia Viva's. Founded in 1982 as The East of England Orchestra, 'Viva', as it is colloquially known, is thoroughly embedded in the cultural life of the East Midlands, and to judge from a brief conversation with the new CEO, Lucy Galliard, that's about to be ramped up further.

 

Raphael Clarkson’s A Call From on High was commissioned by Viva in 2017 for two horns and two trumpets, to be played from the roof of Derby Cathedral's tower. The third movement is, in effect, a chorale prelude on the hymn tune 'All Saints', one of the tunes played regularly by the Cathedral carillon. It worked well as a stand-alone piece, opening the evening with a suitably celebratory peal, and with an equally effective quiet ending.

 

The remaining players then joined their colleagues, and remained standing (with the obvious exceptions) for the rest of the concert – which, as so often, gave extra impact to the sound (and more on sound later).

 

Cecilia McDowall's Rain, Steam and Speed was prompted by Turner's well-known 1844 painting of the same title, showing a train crossing Brunel's viaduct over the Thames at Maidenhead. But this is no re-run of Honegger's Pacific 231. Instead, our attention is drawn equally to other elements: a gentle string chorale to evoke the surrounding landscape, rippling clarinet figures to suggest the hare running away down the track (barely perceptible in the painting), timpani and low strings supplying the equivalent to the dark shape that dominates the centre of the picture. McDowall's skill in making the music move at two different speeds simultaneously is equally impressive, and the distancing at the end is handled with a sure touch. Conductor Delyana Lazarova ensured every detail was firmly in place.

 

Sophie Rosa, who will be stepping down as leader at the end of the current season, was the soloist in Beethoven's Romance No 2, joining her colleagues in a performance that was serene and lyrical without becoming saccharine, giving due weight to the sterner middle section, then melting back beguilingly into a no-fuss ending.

 

In a vivid account of Bartók's Romanian Folk Dances 'Stick Dance' was earthy, 'Sash Dance' light on its feet. 'On One Spot' showcased Nicky Hunter's plaintively bird-like piccolo, followed by a soulful 'Horn Dance'. 'Romanian Polka' and 'Sash Dance 1 and 2' were invigoratingly punchy.

 

Sing Viva, the orchestra's associated carers' choir, was featured in Becoming One, by Preetha Narayanan. Scored for chorus, strings and percussion, it is the result of a collaboration between choir and composer, exploring “breath in all its meanings”. Drawing on the Indian raga 'Charukeshi', it gradually pulls its opening fragments together into a dancing middle section. At the end, the voices are left unaccompanied, signing off to the words “singing together, becoming one”. A highly attractive work which Sing Viva handled with complete confidence, and which I can well imagine other choirs taking to readily .

 

In Mozart's Symphony No. 40, Lazarova's incisive conducting, and Viva's alert response, kept a taut hold on the music's structure, and showed that it is possible to take the first movement at a real allegro molto without it sounding over-driven. Their account of the second movement suggested a latent minuet, while missing none of the underlying tensions. The actual minuet had a rhythmic energy that brought it within hailing distance of the Bartók. The force and vigour spilled over into the finale with, again, a structural grip balancing the storm and stress. The passage of lurching tonality was a properly unsettling moment in a performance that blazed with vitality.

 

Derby Cathedral is currently hosting 'Peace Doves', an art installation suspended over the nave. It makes a powerful visual impact in its own right, but also made a big difference to the sound, soaking up some of the building's reverberation, and giving the music more sonic precision and hence impact.

 

During the reception that followed, Viva players Matthew Dunn, clarinet, Tim Gunnell, vibes, and David Ayre, bass, served up some cool jazz from the Cathedral's west end.

Mike Wheeler May 2022

(all photos on this page: Aliiphotos)